I think in many respects this is the academic model of journalism flowering into its full putrid form. Something that has happened for music for the past century- people doing the work starving while the commentators make full and heft salaries- has now been applied to much of the culture industry. The fact that i make more money as a cr…
I think in many respects this is the academic model of journalism flowering into its full putrid form. Something that has happened for music for the past century- people doing the work starving while the commentators make full and heft salaries- has now been applied to much of the culture industry. The fact that i make more money as a critic and technician than as a musician, despite being vastly inferior at those crafts, continues to blow my mind.
I think in many respects this is the academic model of journalism flowering into its full putrid form. Something that has happened for music for the past century- people doing the work starving while the commentators make full and heft salaries- has now been applied to much of the culture industry. The fact that i make more money as a critic and technician than as a musician, despite being vastly inferior at those crafts, continues to blow my mind.